Reviews

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“Wings to Fly”: a review of MARK MAYER’S ABOUT, ABOVE, AROUND by Catherine Parnell

About, Above, Around: 50 Prepositions
Mark Mayer
Texas Review Press
212 pages

What, after all, is a preposition? Mark Mayer, author of About, Above, Around, would tell you they’re “half-invisible words” that, according to the Merriam Webster definition, “show direction, location, or time, or introduce an object.” Prepositions are a part of speech that specify and clarify, orient and portray. What then, do we do with prepositions and what do they do to us? Within that question lies the theme of Mayer’s thought-provoking series of loosely related vignettes, some long, some sort, all loaded with literary magic. Art features in the book, some drawings Gorey-like, while other paintings evoke chalky-like colorful modernism.

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“Only That”: a review of Christine Fischer Guy’s The Instrument Must Not Matter by Catherine Parnell

In NYC, Lucas soars academically while Lila has a contentious relationship with Professor Vrubel, her piano teacher, who throws shade on her practice after practice. Imperious, but truthful, he warns her: “…press coverage means little on its own if you can’t consistently deliver great performances…I have assumed you’re here because you want to develop yourself artistically. If it’s instant fame you’re after, I invite you to do everything your agent tells you to do.” Sage advice that Lila can’t quite accept until she hears him play Bach (Bach, again!) – and then, she feels the tsunami of what she thinks is Bach but does not know is Vrubel’s experience and wisdom. It’s also the watery echo of interpretable obstinacy, but to say more would give away the plot. It’s enough to know what Vrubel tells Lila. “Don’t hide in the music. Show your true self.”

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“We Could All Learn”: Carol Parris Krauss’ Review of RELEARNING THE BODY by Carlene Gadapee

Relearning the Body
Carlene Gadapee
Finishing Line Press (May 2026)

The collection is a lyrical journey that moves between carefree humor and moments of survival, rediscovery, and small victories. What makes Gadapee's work so accessible is her ability to weave imagery, allusion, and a myriad of literary devices seamlessly into this journey, creating a mirror in which readers of any age can see their own stories reflected and rediscovered.

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“Submerged” a review of Eva Meijer’s SEA NOW by Catherine Parnell

Sea Now 
By Eva Meijer, translated from Dutch by Anne Thompson Melo
Two Lines Press / Peirene Press, 2025
180 pages

It’s abundantly clear that we, the inhabitants of Planet Earth, have created an untenable ecological situation, one that we’d better work on yesterday. Consider, for example, the global prospect of rising waters that may wash over and submerge continents, countries, cities, towns, villages.

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“Navigating Climate Change”: a review of Ryan Hagen’s YOUR GUIDE TO CLIMATE ACTION: How to Move Beyond Your Footprint and Make a BIG Impact by Gretchen Ayoub

Your Guide to Climate Action: How to Move Beyond Your Footprint and Make a BIG Impact
Ryan Hagen
Climate Action Press ( January 2, 2026)

Ryan Hagen’s book is a practical, resource-rich guide to taking steps to becoming a climate change activist. It is an informative read and one that can serve as an ongoing reference and source of ideas when the work of climate change begins to feel too big. The book lays out an action plan for everyone at any point in their climate activism journey.

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“The World in Want”: a review of David Daniel’s WHAT LOVE IS by Gail Hosking

What Love Is
David Daniel
Nirala Publications (March 2025)
90 pages

David Daniel, the poet, touches on a great deal of love’s aspects like his ruptured appendix with his thoughts near death. “Wailing into the wild heart’s places.”  Death, he gathers, is possibly a celebration of the love we have held and still hold, he writes.

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