Reviews
“Learning to control my imagination is the hardest part”: Allison Renner’s review of P.J. Blumenthal’s SELF PORTRAITS
“The game is fixed and the cards are marked,” Blumenthal writes in the first story. It feels like a warning: we will never have all the information. We will not always know which version of a story is true, whether two stories are connected, or whether we have understood what we just read. But the cards are on the table, the stories are waiting, and the reader gets to decide what to do with them.
“A Fatal Decision”: a review of Dani Cessna’s GHOST ORCHID by Gretchen Ayoub
In Dani Cessna’s captivating debut novel, Ghost Orchid, readers are immediately drawn into the hidden world of the Everglades. Beyond the view of the stream of daily visitors to this National Park, lies another world unseen by many, a world where longtime residents live off the grid in desolate shacks, where the swamp’s beauty haunts more than scares, where fens, glades and bogs host egrets, alligators, water moccasins and other creatures., It’s a world with secrets that gradually unfold over the course of this gripping story.
“What Can’t Be Bought”: a review of Keith Pilapil Lesmeister’s Ask Me About the Money by Catherine Parnell
Money is a knotty subject and it rules our lives in often painful, sometimes happy, and mostly constant ways. The cover of Ask Me About the Money: Stories by Keith Pilapil Lesmeister hints at the dimly lit journey we take when we live by dollars and cents, but Lesmeister’s stories go beyond the debits and credits; they pulse with family and relationships, identity, and Midwestern life. His is a voice to be reckoned with as he carefully paints lives often ignored.
Darkness Where Roots Keep Growing: A Review of Nobody’s Saffron by Yaryna Chornohuz
Nobody’s Saffron, Yaryna Chornohuz, Amelia Glaser, Arrowsmith Press, Jenn Hollmeyer
“How can I not take notes about my life”: Allison Renner’s Review of Lee Upton’s TABITHA, STAY UP
Tabitha, Stay Up
Lee Upton
Sagging Meniscus Press, September 2026
224 pages
“Wings to Fly”: a review of MARK MAYER’S ABOUT, ABOVE, AROUND by Catherine Parnell
About, Above, Around: 50 Prepositions
Mark Mayer
Texas Review Press
212 pages
What, after all, is a preposition? Mark Mayer, author of About, Above, Around, would tell you they’re “half-invisible words” that, according to the Merriam Webster definition, “show direction, location, or time, or introduce an object.” Prepositions are a part of speech that specify and clarify, orient and portray. What then, do we do with prepositions and what do they do to us? Within that question lies the theme of Mayer’s thought-provoking series of loosely related vignettes, some long, some sort, all loaded with literary magic. Art features in the book, some drawings Gorey-like, while other paintings evoke chalky-like colorful modernism.
“Life Lessons”: Patrick Hueller’s Falling, in Love with Teaching, reviewed by Jenn Hollmeyer
Falling, in Love with Teaching serves as a powerful reminder that real wisdom isn’t expressed through rote recitation of dates and facts. It’s expressed through the heart, from person to person, and from poet to reader, in lessons that will last a lifetime.
“Years become transparent in starlight”: Allison Renner’s review of The Age of Migration by Kai Maristed
The Age of Migration by Kai Maristed
These stories are compassionate without sentimentality, ambitious without losing sight of individual lives, and beautifully attentive to the fragile moments when one life quietly becomes another.
“New Perspectives on a Feminist and Literary Icon”: a review of The Very Secretive and Passionate Stella Miles Franklin by Alexandra Lapierre by Gretchen Ayoub
Review of The Very Secretive and Passionate Stella Miles Franklin
by Alexandra Lapierre - Translated from the French by Tina Kover
Europa Press, 2026
“Poetry Wants Us to Be Our Free and Best Selves”: Carlene Gadapee’s reflection on Ada Limón’s Against Breaking: On the Power of Poetry
“Poetry Wants Us to Be Our Free and Best Selves”: A Reflection on Against Breaking
“She wants to keep those secrets coming”: Allison Renner’s review of Apple & Palm by Patricia Henley
Apple & Palm by Patricia Henley
The town and its surrounding land form the connective tissue between stories, linking women across generations, families, friendships, and chance encounters. Certain landmarks reappear throughout stories, creating the sense that geography itself is responsible for bringing these lives together.
“Teaching, Listening, Supporting”: a review of Mary Ellen Redmond’s I HAVE ONE STUDENT by Gretchen Ayoub
I Have One Student
by Mary Ellen Redmond.
Finishing Line Press (June 26, 2026)
“Freedom and Passion for Humanity”: Elegies of the Earth: Selected Poems by Ahmad Shamlou, reviewed by Samad Josef Alavi
But to grasp Shamlu’s preoccupation with freedom, you also have to sense the passionate love that drives his work, a passion above all else for humanity and humankind as fundamentally creative beings.
“Only That”: a review of Christine Fischer Guy’s The Instrument Must Not Matter by Catherine Parnell
In NYC, Lucas soars academically while Lila has a contentious relationship with Professor Vrubel, her piano teacher, who throws shade on her practice after practice. Imperious, but truthful, he warns her: “…press coverage means little on its own if you can’t consistently deliver great performances…I have assumed you’re here because you want to develop yourself artistically. If it’s instant fame you’re after, I invite you to do everything your agent tells you to do.” Sage advice that Lila can’t quite accept until she hears him play Bach (Bach, again!) – and then, she feels the tsunami of what she thinks is Bach but does not know is Vrubel’s experience and wisdom. It’s also the watery echo of interpretable obstinacy, but to say more would give away the plot. It’s enough to know what Vrubel tells Lila. “Don’t hide in the music. Show your true self.”
“There is A War in My Homeland”: HUTSULKA by Nicole Yurcaba, reviewed by Andria Williams
Hutsulka Nicole Yurcaba
A Particular Kind of Heartbreak: a review of Laurel Saville’s HOW TO LIVE WITH A DOG by Rebecca Brock
…we have How to Live with a Dog—a book about dogs, yes, and how to live with them, but, thanks to Saville’s deep clarity, compassion, and engaging storytelling—it’s also very much a book about how to human.
“Dairy Goats and Cheese and So Much More”: a review of Jennifer Acker’s SURRENDER by Catherine Parnell
Surrender
Jennifer Acker
Delphinium Books (April 2026)
275 pages
Acker’s knowledge and understanding of farm life, so well-researched, and her gentle authority, vibrate throughout the novel as farm owner Lucy struggles to keep her father’s family farm running.
“We Could All Learn”: Carol Parris Krauss’ Review of RELEARNING THE BODY by Carlene Gadapee
Relearning the Body
Carlene Gadapee
Finishing Line Press (May 2026)
The collection is a lyrical journey that moves between carefree humor and moments of survival, rediscovery, and small victories. What makes Gadapee's work so accessible is her ability to weave imagery, allusion, and a myriad of literary devices seamlessly into this journey, creating a mirror in which readers of any age can see their own stories reflected and rediscovered.
“Entranced by Tigers, Bored by Babies”: Andria Williams reviews RECOVERY COMMANDS by Abby Murray
Murray’s fears: war, violence, dictatorship, loss; erasure by a military culture plumbed with a keen eye and occasional wry revulsion.
Murray’s loves: their daughter, their husband (most of the time); animals; the natural world.
“Poetic Consciousness“: Ruth Edgett reviews the book of sentences by rob mclennan
the book of sentences
rob mclennan
University of Calgary Press, 2025
186 pages
“What I love about reviewing books is how much I learn—not simply from what the authors have written, but from researching the techniques, influences and ideas that inform their writing. All of this makes me a better writer.”