Reviews

Birch Bark Editing Birch Bark Editing

“Learning to control my imagination is the hardest part”: Allison Renner’s review of P.J. Blumenthal’s SELF PORTRAITS

“The game is fixed and the cards are marked,” Blumenthal writes in the first story. It feels like a warning: we will never have all the information. We will not always know which version of a story is true, whether two stories are connected, or whether we have understood what we just read. But the cards are on the table, the stories are waiting, and the reader gets to decide what to do with them.

Read More
Birch Bark Editing Birch Bark Editing

“A Fatal Decision”: a review of Dani Cessna’s GHOST ORCHID by Gretchen Ayoub

In Dani Cessna’s captivating debut novel, Ghost Orchid, readers are immediately drawn into the hidden world of the Everglades. Beyond the view of the stream of daily visitors to this National Park, lies another world unseen by many, a world where longtime residents live off the grid in desolate shacks, where the swamp’s beauty haunts more than scares, where fens, glades and bogs host egrets, alligators, water moccasins and other creatures., It’s a world with secrets that gradually unfold over the course of this gripping story.

Read More
Birch Bark Editing Birch Bark Editing

“What Can’t Be Bought”: a review of Keith Pilapil Lesmeister’s Ask Me About the Money by Catherine Parnell

Money is a knotty subject and it rules our lives in often painful, sometimes happy, and mostly constant ways. The cover of Ask Me About the Money: Stories by Keith Pilapil Lesmeister hints at the dimly lit journey we take when we live by dollars and cents, but Lesmeister’s stories go beyond the debits and credits; they pulse with family and relationships, identity, and Midwestern life. His is a voice to be reckoned with as he carefully paints lives often ignored.

Read More
Birch Bark Editing Birch Bark Editing

“Wings to Fly”: a review of MARK MAYER’S ABOUT, ABOVE, AROUND by Catherine Parnell

About, Above, Around: 50 Prepositions
Mark Mayer
Texas Review Press
212 pages

What, after all, is a preposition? Mark Mayer, author of About, Above, Around, would tell you they’re “half-invisible words” that, according to the Merriam Webster definition, “show direction, location, or time, or introduce an object.” Prepositions are a part of speech that specify and clarify, orient and portray. What then, do we do with prepositions and what do they do to us? Within that question lies the theme of Mayer’s thought-provoking series of loosely related vignettes, some long, some sort, all loaded with literary magic. Art features in the book, some drawings Gorey-like, while other paintings evoke chalky-like colorful modernism.

Read More
Birch Bark Editing Birch Bark Editing

“Only That”: a review of Christine Fischer Guy’s The Instrument Must Not Matter by Catherine Parnell

In NYC, Lucas soars academically while Lila has a contentious relationship with Professor Vrubel, her piano teacher, who throws shade on her practice after practice. Imperious, but truthful, he warns her: “…press coverage means little on its own if you can’t consistently deliver great performances…I have assumed you’re here because you want to develop yourself artistically. If it’s instant fame you’re after, I invite you to do everything your agent tells you to do.” Sage advice that Lila can’t quite accept until she hears him play Bach (Bach, again!) – and then, she feels the tsunami of what she thinks is Bach but does not know is Vrubel’s experience and wisdom. It’s also the watery echo of interpretable obstinacy, but to say more would give away the plot. It’s enough to know what Vrubel tells Lila. “Don’t hide in the music. Show your true self.”

Read More
Birch Bark Editing Birch Bark Editing

“We Could All Learn”: Carol Parris Krauss’ Review of RELEARNING THE BODY by Carlene Gadapee

Relearning the Body
Carlene Gadapee
Finishing Line Press (May 2026)

The collection is a lyrical journey that moves between carefree humor and moments of survival, rediscovery, and small victories. What makes Gadapee's work so accessible is her ability to weave imagery, allusion, and a myriad of literary devices seamlessly into this journey, creating a mirror in which readers of any age can see their own stories reflected and rediscovered.

Read More